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ADWEEK 2026 Creative 100 Now Open for Nominations

James Thompson

James Thompson

ADWEEK 2026 Creative 100 Opens Nominations, Spotlighting the Industry’s Boldest Minds
The 12th edition of ADWEEK’s Creative 100 is now open for nominations, celebrating the top creative minds reshaping marketing, media and entertainment in 2026.
Back for its 12th year, ADWEEK’s Creative 100 has opened its call for entries, inviting the global industry to spotlight the people whose ideas have defined the past year of brand and content culture. This annual list has become one of the most closely watched barometers of creative influence across advertising, marketing, media and entertainment, with honorees routinely setting the tone for what audiences see on screens, in feeds and in the real world.
The 2026 edition continues that trajectory, again focusing on individuals rather than campaigns or companies, and recognizing work that has shifted conversations, grown communities and moved business through creativity. Past honorees include filmmaker Jon Chu, artist and musician Vince Staples and actor Zendaya, underscoring the list’s reach well beyond traditional agency walls into entertainment and pop culture at large.
For OOH specialists, the Creative 100 has increasingly become a showcase for ideas that stretch across physical and digital environments, from location-first storytelling to tech-enabled brand experiences that bridge street, screen and social. While the list is platform-agnostic, ADWEEK’s framing of “shaping culture” explicitly includes advertising, brand marketing, social media, TV and streaming, filmmaking, visual art and more—territory where high-impact outdoor and place-based media now play a central role.
In 2026, ADWEEK is again organizing the Creative 100 around a mix of established and emerging talent categories that cut across disciplines. Among them:
Agency Creative Leaders, which covers executive creative directors, chief creative officers, founders and other senior figures responsible for setting the creative agenda at agencies. These are the leaders driving integrated thinking across channels, including the resurgence of data-informed OOH and experiential as core storytelling canvases.
Rising Agency Creative Talent, focused on copywriters, designers, associate creative directors and creative directors whose work is rapidly gaining industry attention. This tier often includes the architects of standout cross-channel ideas—those translating big brand platforms into the physical fabric of cities via billboards, transit, street-level formats and immersive installations.
Brand Innovators, highlighting marketers who oversee and evolve a brand’s creative output from the client side. For OOH, these are often the CMOs and heads of brand who have pushed for bolder, more contextually intelligent use of outdoor, integrating DOOH, programmatic and dynamic creative tied to real-time signals.
Media, TV and Streaming Innovators, honoring individuals at media, TV and streaming companies who are driving new forms of creativity. ADWEEK cites TV creators, podcasters and newsletter founders, but this cohort increasingly intersects with OOH through content partnerships, screen networks and IP extensions that span cityscapes and public venues.
Directors, recognizing filmmakers who also work with brands or direct advertising content. Their visual language frequently translates into cinematic outdoor, from anamorphic billboards to large-format chapter storytelling that plays out across multiple sites.
Celebrities and Creators, celebrating public figures and creators who challenge norms or influence culture in groundbreaking ways. Many of these personalities collaborate with brands on large-scale physical stunts and fan activations where OOH serves as both stage and amplifier.
Visual Artists, including animators, designers, photographers and other visual practitioners whose work for brands has made a cultural impact. For the OOH community, this is the most direct link: artists whose canvases include walls, facades, transit shelters and digital screens—often blurring the line between public art and advertising.
Nominations are open now through ADWEEK’s online form, with the editorial team emphasizing that the Creative 100 does not repeat honorees. Prospective nominators are urged to check previous lists before submitting, ensuring the 2026 edition continues to surface new voices and fresh perspectives. ADWEEK positions the list as a curated snapshot of the year’s most influential creative forces rather than a recurring roster of usual suspects.
For networks, agencies and brands working in OOH, the nomination window is an opportunity to elevate the talent behind high-profile, high-impact outdoor work that might otherwise be overshadowed by case-study reels or social metrics. The list’s cross-category structure also encourages a more holistic view: creative leaders who champion OOH as a strategic pillar, rising art directors redefining what a billboard can be, and visual artists whose murals or projections have become cultural landmarks all fit squarely within ADWEEK’s criteria.
The Creative 100 sits within a broader ecosystem of ADWEEK awards and lists that track the evolving center of gravity in marketing and media. But unlike program-based competitions, this franchise is firmly person-centric, celebrating individuals whose output has resonated beyond brief and KPI to genuinely move culture. In an era when physical space is once again coveted attention territory, the list offers OOH practitioners a chance to be recognized not just as media experts, but as cultural shapers.
As the nomination period gets underway, the question for the OOH community is less whether outdoor belongs in the Creative 100 conversation—ADWEEK’s own framing of “brand marketing, social media, TV and streaming, filmmaking, visual art, and more” already implies that inclusion—and more which practitioners will step forward. Those whose work has transformed skylines, reimagined transit, or turned city blocks into storytelling ecosystems now have a global stage on which their contributions can be acknowledged, alongside peers from agencies, brands, media platforms and entertainment.
For creatives, strategists, marketers and artists who see the street as their most powerful screen, ADWEEK’s 2026 Creative 100 represents not just recognition, but validation that the future of culture-shaping ideas is as much out-of-home as it is online.